More evidence of nonviolent protest superiority. Creative research on resistance method and effect on US Congressional policy support:
Are peaceful or violent protests more effective at achieving policy change? I study the effect of protests during the Civil Rights Era on legislator votes in the US House. Using a fixed-effects specification, my identifying variation is changes within the congressional district over time. I find that peaceful protests made legislators vote more liberally, consistent with the goals of the Civil Rights Movement. By contrast, violent protests backfired and made legislators vote more conservatively. The effect of peaceful protests was limited to civil rights-related votes. The effect of violent protests extended to welfare-related votes. I explore alternative explanations for these results and show that the results are robust to them. Congressional districts where incumbents were replaced responded more strongly. Furthermore, congressional districts with a larger population share of whites responded more strongly. This is consistent with a signaling model of protests where protests transmitted new information to white voters but not to black voters.
That is the abstract of the job market paper of Gábor Nyéki from Duke.
Repost from the always great Marginal Revolution
Undertold history of the black press in US. Informative, inspiring, well done.
Richard Sennett discusses the use of space that contributed to the political richness of ancient Athens and suggests modern designers could follow suit.
“Difference” today seems about identity — we think of race, gender, or class. Aristotle’s meant something more by difference; he included also the experience of doing different things, of acting in divergent ways which do not neatly fit together. The mixture in a city of action as well as identity is the foundation of its distinctive politics.
Walter Isaason’s beautiful account of how Leonardo’s expertise in human anatomy and art combined to make him the only person who could’ve painted Mona Lisa’s smile.
Stand before the Mona Lisa, and the science and the magic and the art all blur together into an augmented reality. While Leonardo worked on it, for most of the last 16 years of his life, it became more than a portrait of an individual. It became universal, a distillation of Leonardo’s accumulated wisdom about the outward manifestations of our inner lives and about the connections between ourselves and our world. Like Vitruvian Man standing in the square of the Earth and the circle of the heavens, Lisa sitting on her balcony is Leonardo’s profound meditation on what it means to be human.